With five major productions currently in performance or development on three continents, Global Creatures is a worldwide leader in innovative stagecraft and breathtaking theatricality. Through our groundbreaking integration of animatronics, puppetry, music and movement, we’ve brought some of film and literature’s most astonishing adventures spectacularly to life on stage. At the heart of all our work remains a commitment to the human side of storytelling – to celebrating authentic emotional experiences on an epic scale.

Global Creatures first achieved international recognition in 2007 with Walking with Dinosaurs – The Arena Spectacular, based on the award-winning BBC-TV series. Developed in Australia with state-of-the-art animatronics, this innovative triumph still tours worldwide. Following the success of Dinosaurs, Global Creatures developed another tech-forward stage phenomenon, How to Train Your Dragon Live Spectacular. This co-production with DreamWorks Theatrical cemented the company’s reputation for bringing large-scale adventures to a live audience.

The unprecedented theatrical event King Kong had its world premiere at Melbourne’s Regent Theater in 2013. The show’s “leading man,” weighing in at 2,000 pounds and operated by a flawlessly integrated team of artists and technicians, is arguably the most technologically advanced puppet in the world. Ten years in the making, this thrilling and timeless story will debut on Broadway in the fall of 2018, with a new book by Olivier and Tony Award winner Jack Thorne (Harry Potter and the Cursed Child), direction and choreography by Olivier winner Drew McOnie (In the Heights), and an electrifying score by Eddie Perfect (Beetlejuice, the upcoming musical) and Marius de Vries (La La Land).

In addition to their groundbreaking work in puppetry and animatronics, Global Creatures is currently mounting two critically acclaimed musical adaptations of beloved Australian films. Based on the Baz Luhrmann movie, Strictly Ballroom the Musical premiered in 2014 at the Sydney Lyric Theatre and is currently running on the West End. Meanwhile, following a sold-out 2017 run at Sydney’s Roslyn Packer Theatre, Muriel’s Wedding the Musical will return to the Australian stage in July 2019.

In 2016, Global Creatures announced plans for a Broadway-bound adaptation of Baz Luhrmann’s revolutionary film Moulin Rouge! Directed by Tony nominee Alex Timbers (Bloody Bloody Andrew JacksonPeter and the Starcatcher), with a book by Oscar® nominee John Logan (Gladiator), this hotly anticipated new musical had its critically acclaimed world premiere at Boston’s Emerson Colonial Theatre in July of this year.

  • Gerry Ryan, OAM

    Chairman

    Gerry is a Melbourne-based entrepreneur and managing director with diverse business interests in Australia and overseas. These interests span the manufacturing, property, entertainment, leisure and tourism industries.

    Read More

    Gerry is a Melbourne-based entrepreneur and managing director with diverse business interests in Australia and overseas. These interests span the manufacturing, property, entertainment, leisure and tourism industries. Gerry is the Chairman of Global Creatures and the world-class animatronics workshop Creature Technology Company, the creative forces behind the Walking With Dinosaurs – The Arena Spectacular. It was Gerry’s strong belief in the show’s potential and his steadfast financial support that allowed a dedicated and hugely talented creative team of artists, designers, engineers, puppeteers and technicians to develop the production in Melbourne over several years. Gerry feels privileged to have worked with this team to bring a new form of world-class entertainment to the global stage, and he takes great pride in the fact that the show continues to amaze and delight audiences wherever it is staged.

    In recognition of his contribution to the nation’s manufacturing, leisure, sports and tourism industries, Gerry was made a Member of the Order of Australia in 1999. Through his vision, drive and business leadership, Gerry continues to make a much valued contribution to the wider community.

    Read Less

  • Carmen Pavlovic

    Director, CEO and Producer

    Carmen was educated in Melbourne and holds a Bachelor of Arts and an MA in Business Administration. Throughout the 1990s, Carmen’s career spanned various theatre companies including the Really Useful Company where she was executive producer.

    Read More

    Carmen Pavlovic is the CEO of Global Creatures, an innovative live entertainment company that creates original work internationally. Throughout the 1990s, Carmen’s career spanned various theatre companies including The Really Useful Company where she was the Executive Producer. In 2001 Carmen relocated to London and took up the role of Executive Producer at Clear Channel Entertainment. Later she became the Director of the International Production Department for Stage Entertainment, responsible for establishing new territories (including Russia, Italy and France), licensing and programming of 25 theatres across Europe, and overseeing all productions in the UK, Germany, Holland, France, Italy, Spain and Russia.

    For Stage Entertainment Carmen was the International Executive Producer of the European premiere of Dirty Dancing in Germany and subsequently Holland, the Russian-speaking productions of Cats and Mamma Mia! (the first open-ended musicals in Moscow), the German-speaking production of Wicked; the Spanish-speaking production of The Producers; the French-speaking productions of Sam Mendes’ Cabaret at the prestigious Folies Bergere and The Lion King at the Mogodor Theatre in Paris.

    In 2008, Carmen returned to live in Australia and founded Global Creatures with business partner and Chairman Gerry Ryan. The company combines technical wizardry and potent storytelling. Carmen is the Producer of the ground-breaking Walking With Dinosaurs – The Arena Spectacular, How To Train Your Dragon Live Spectacular, King Kong, Strictly Ballroom The Musical, Muriel’s Wedding The Musical and Moulin Rouge! The Musical. 2018 represents a milestone year for Global Creatures with world premiere productions in London (Strictly Ballroom), Boston (Moulin Rouge!) and New York (King Kong).

    Read Less

  • Mark Narborough

    Chief Finance Officer

    Mark joined Global Creatures as CFO in August 2014 having spent the previous 14 years in the entertainment industry at Warner Music Australasia as CFO with responsibilities for finance and operations in Australia and New Zealand.

    Read More

    Mark joined Global Creatures as CFO in August 2014 having spent the previous 14 years in the entertainment industry at Warner Music Australasia as CFO with responsibilities for finance and operations in Australia and New Zealand. During that time Mark was also involved with acquisitions, divestitures and management of record labels, manufacturing and distribution organisations and served on operating committees of the local recording industry association. Mark commenced his career with Coopers & Lybrand working on audit and transaction support assignments in Sydney and London.

    Read Less

  • Nick Hart

    Head of Legal and Business Affairs

    Nick has practised extensively as a lawyer across the media, entertainment and technology sectors, both in-house and for prominent international and specialist law firms.

    Read More

    Nick has practised extensively as a lawyer across the media, entertainment and technology sectors, both in-house and for prominent international and specialist law firms.

    After training at international law firm Slaughter and May in London and Singapore, Nick practised as a solicitor at leading specialist music and entertainment firm Bray & Krais in London. He subsequently joined Andrew Lloyd Webber’s The Really Useful Group as in-house counsel, before moving to Sydney to become Special Counsel at a law firm (now part of the international firm Bird & Bird) specialising in IP, technology, media and commercial law.

    Nick joined Global Creatures in 2011 as its Head of Legal and Business Affairs. He has continued to fulfill this role since moving to boutique media and entertainment law firm Blueprint Law as a Director and Principal in 2015.

    Nick is admitted to practice law in both Australia and the UK, and holds an MA in English Literature.

    Read Less

  • Judy Fuccilli

    Head of HR & Operations

    Judy joined Global Creatures, and the entertainment industry, in 2008. With a background in Human Resource Management, Judy relishes combining her profession with her love of the theatre.

    Read More

    Judy joined Global Creatures, and the entertainment industry, in 2008. With a background in Human Resource Management, Judy relishes combining her profession with her love of the theatre. Judy works closely with the production teams on all HR and work, health and safety matters. She has worked on the Global Creatures productions of Muriel’s Wedding the Musical,  Strictly Ballroom the MusicalKing Kong, War HorseWalking with Dinosaurs – Arena Spectacular and How to Train Your Dragon – The Arena Spectacular. Judy also oversees the operations of the Global Creatures Head Office.

    Read Less

  • Angela Dalton

    Head of Marketing

    Angela joined Global Creatures in 2009 as General Manager for Walking With Dinosaurs – The Arena Spectacular.

    Read More

    Angela joined Global Creatures in 2009 as General Manager for Walking With Dinosaurs – The Arena Spectacular. In the subsequent years, Angela has worked on the following Global Creatures productions in either a marketing or production role: How To Train Your Dragon – The Arena Spectacular, King Kong, War Horse, Strictly Ballroom The Musical, Muriel’s Wedding The Musical and soon to open in Boston, Moulin Rouge The Musical. Angela has been involved in the arts and entertainment industry for more than 30 years. Musical theatre has been a highlight including SEL’s production of The Producers; IMG’s productions of Miss Saigon and Oliver! and then years with Cameron Mackintosh’s Australia office working on Cats, Les Misérables, The Phantom of the Opera, Miss Saigon and Rent.

    Read Less